• 1990 - The Smile
  • 1990 - The Smile
  • 1990 - The Smile
  • 1990 - The Smile

    Stefan Kokovic

    1990 - The Smile, 2024

    ×

    The exhibition standard

    Hahnemühle Photo Rag® 310 gsm

    We exclusively utilize 100% cotton paper from the historic Hahnemühle mill. The velvety texture and substantial weight provide an unrivaled tactile presence.

    Archival pigment print

    Our works are produced using advanced pigment inks (Giclée). This technique ensures exceptional color depth and archival precision, meeting the rigorous demands of museums worldwide.

    Enduring heritage

    ISO 9706 certified, acid-free, and lignin-free. Each print is an investment created to preserve its brilliance for generations.

    Regular price $489.00
    Size:
    “1990 - The Smile”, created in 2024, is a subtle yet emotionally charged exploration of surface emotion and hidden complexity. The work centers on the idea of the smile as…

    “1990 - The Smile”, created in 2024, is a subtle yet emotionally charged exploration of surface emotion and hidden complexity. The work centers on the idea of the smile as both expression and disguise, where what appears outwardly simple gradually reveals deeper layers of ambiguity and psychological tension. Through its restrained visual language, the piece invites the viewer to question what lies behind the gesture we so often associate with happiness.

    The composition balances delicacy and intensity, using light, shadow, and framing to emphasize the fragility of expression. Rather than presenting a clear emotional statement, “The Smile” lingers in uncertainty, allowing meaning to shift depending on the viewer’s perspective. The work becomes a study in contrast—between sincerity and performance, presence and concealment.

    At its core, “1990 - The Smile” reflects on the complexity of human emotion and the masks we wear in everyday life. It captures a moment that feels both personal and universal, where a single expression holds multiple truths at once. “1990 - The Smile” (2024) stands as a quiet but powerful meditation on identity, perception, and the emotional subtleties hidden within the simplest of gestures.